In 1932, against the troubled background of the Depression, the American art community had its first glimpse of the revolutionary art of the Surrealists. Combin

"The biography recounts Rosenberg's full story for the first time. Art critic for The New Yorker from 1962 until 1978, Rosenberg, together with Clement Greenber

Twenty-five years after the publication of A Dictionary of the Avant-Gardes, the distinguished critic and arts historian Richard Kostelanetz returns to his favo

Presents an alphabetical reference guide detailing the lives and works of poets associated with the New York Schools of the early twentieth century.

Makes a persuasive case for a black Atlantic literary renaissance & its impact on modernist studies. These 10 new chapters stretch and challenge current canonic