Robert M. Beadell (1925-1994) modestly referred to himself as a neoclassic eclectic composer and an obscure regional composer, yet these appellations do not beg

You can hit, you can field, but can you make them laugh? Working from interviews and questionnaires, Bradsaw (theater, Gonzaga U.) also uses his personal experi

Select social and academic communities accord cultural status to deafness and disability, but cultural designation remains an intensely debated topic among many

This study examines the effect of the mask upon the masked performer int he Balinese Topeng and Calonarang dance dramas and Japanese Noh Theatre. It represents