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Introducing the neglected tradition of Scottish women's writing to readers who may already be familiar with English Victorian realism or the historical romances
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James Charlton has produced a ringing indictment of disability oppression, which, he says, is rooted in degradation, dependency, and powerlessness and is experi
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As there has yet to be any substantial scrutiny of the complex confluences a more sustained dialogue between disability studies and comics studies might suggest