When people attend classical music concerts today, they sit and listen in silence, offering no audible reactions to what they're hearing. We think of that as no

Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, sc

This volume brings together contributions from a wide range of international academics and practitioners. It traces innovations within classical music practice,

The Routledge Companion to Applied Musicology brings together academics, artist-researchers, and practitioners to provide readers with an extensive and authorit

This edited volume analyzes participatory practices in art and cultural heritage in order to determine what can be learned through and from collaboration across