DIVCollection of essays on the impact that non-mainstream and middlebrow film genres have had on popular culture--including sexploitation, horror, cult, XXX, an

Preface Introduction: Whose Jazz, Whose Cinema? 1: The Ethnic Oedipus: The Jazz Singer and Its Remakes 2: Black and Tan Fantasies: The Jazz Biopic 3: Jazz Becom

This anthology addresses the salient aesthetic, ideological and economic determinants of independent American cinema over the past three decades.

Between the advent of print advertising and the dawn of radio came cinema ads. These ads, aimed at a captive theater audience, became a symbol of the developing

More and more, just a few canonical classics, such as Michael Curtiz’s “Casablanca” (1942) or Victor Fleming’s “Gone With The Wind” (1939), are repr