"An image is powerful not necessarily because of anything specific it offers the viewer, but because of everything it apparently also takes away from the viewer

A framework for understanding the distinctiveness of Indian cinema as a national cinema within a global context dominated by Hollywood is proposed by this book.

Invoking key concepts from the philosophical writings of Gilles Deleuze and Giorgio Agamben, The Dark Interval examines a subtle but distinct iconography of pas

Shard Cinema tells an expansive story of how moving images have changed in the last three decades and how they changed us along with them, rewiring the ways we

Why have certain kinds of documentary and non-narrative films emerged as the most interesting, exciting, and provocative movies made in the last twenty years? R