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Pseudomagia: A Neo-Latin Drama
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Follows the Manuscript (MS. R.17.10) in Trinity College, Cambridge. This unpublished play, performed at Emmanuel College probably around 1626, is a late example
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Renaissance Drama, an annual interdisciplinary publication, is devoted to drama and performance as a central feature of Renaissance culture. The essays in each
An Introduction to the Study of Shakespeare Canon
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Molière and the Italian Theatrical Tradition
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