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This volume looks at the concept of the ‘local’ in Indian history. Through a case study of Bengal, it studies how worldwide currents—be it colonial govern
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Papers presented at the Seminar "Historiography of Indian Art : Emergent Methodological Concerns", held at New Delhi during 19-21 September 2006.
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THEODORE BASKARAN weaves the magic and matter of South Indian films into a rich tapestry of readable essays. They cover such topics as early cinema in the south