The essays in this volume complement the recent exhibition of Printmakers of the Baroque: 17th-Century Explorations of Space and Light at La Salle University Ar

The 250 year period of Renaissance and Baroque printmaking in Europe was as varied and innovative as those of its sister arts of painting and sculpture. From th

Betr. u.a. Hans Holbeins Totentanz in den "Simulachres & historiées faces de la mort", Lyon 1538 (S. 176-179).

A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produ

"Adam Elsheimer is first recorded in 1600 and by 1610 he was dead. But Elsheimer was influential on the coming century to a degree out of all proportion to his