What distinguishes Clarissa from Samuel Richardson's other novels is Richardson's unique awareness of how his plot would end. In the inevitability of its conclu

Writers have always aspired to immortality, using their works to preserve their patrons, their loved ones, and themselves beyond death. For Pindar, Horace, and

Although there were no self-avowed British atheists before the 1780s, authors including Jonathan Swift, Alexander Pope, Sarah Fielding, Phebe Gibbes, and Willia

Seventeen essays explore the complex relationships between literary intentions and theological concerns of authors writing in the second half of the eighteenth

Death and the Body in the Eighteenth-Century Novel demonstrates that archives continually speak to the period's rising funeral and mourning culture, as well as