In terms of visual impact, television has often been regarded as inferior to cinema. It has been characterised as sound-led and consumed by a distracted audienc

In terms of visual impact, television has often been regarded as inferior to cinema. It has been characterised as sound-led and consumed by a distracted audienc

Chris Comerford explores cinematic digital television as an artistic classification and an academic object of study, and illuminates the slippage in definitions

This history of British and American television drama since 1970 charts the increased transnationalisation of the two production systems. From The Forsyte Saga

This interdisciplinary study of history programming identifies and examines different genres employed by producers and tracks their commissioning, production, m