Vacillating between the longue durée and microhistory, between ideological critique and historical sympathy, between the contrary formalisms of close and dista

1819 was the annus mirabilis for many British Romantic writers, and the annus terribilis for demonstrators protesting the state of parliamentary representation.

Imperfect Histories puts "imperfection" at the heart of a theory of historical representation. Ann Rigney shows how historical writing involves dealing with int

Mediation and the standard model of romantic historicism -- Gothic mediation & history's two materialisms -- History's body and the historicist's dilemma -- Fre