As theatre and drama of the Romantic Period undergo a critical reassessment among scholars internationally, the contributions of women as playwrights, actresses

First published in 2000, this collection of essays focuses on women theatre artists in the romantic period.

This 2001 book examines how Romantic women performers and playwrights used theatrical conventions to intervene in politics.

The London theatres arguably were the central cultural institutions in England during the Romantic period, and certainly were arenas in which key issues of the

Displacing Female Bodies on the Eighteenth-Century Stage is driven by a central question: why were women playwrights in the Romantic period obsessed with silenc