Addressing the remarkable absence of colonial legacy from Pierre Nora's Les Lieux de mémoire, the present volume fosters a new reading of the French past by di

'Rewriting' in the context of critical work on Caribbean literature has tended to be used to discuss revisionism from a variety of postcolonial perspectives, su

This work is a sedulous enquiry into the intertextual practice of Maryse Condé in Moi, Tituba, sorcière... noire de Salem (1986), Traversée de la mangrove (1