First translation of this bawdy farce from the Renaissance university stage

Voices and Books in the English Renaissance offers a new history of reading that focuses on the oral reader and the voice- or performance-aware silent reader, r

In this essay collection, the contributors contend that academic drama represents an important, but heretofore understudied, site of cultural production in earl

Was the experience of poetry—or a cultural practice we now call poetry—continuously available across the two-and-a-half millennia from the composition of th

This is the first history of Oxford and Cambridge drama during the Tudor and Stuart period. It guides the reader through the theatrical worlds of Englands unive