A surprising and fascinating look at how Black culture has been leveraged by corporate America. Open the brochure for the Alvin Ailey American Dance Theater, an

The Harlem Renaissance was like a magnificent fireworks display; it was colorful, brilliant, and in a few moments, it was over. This was the first time African

Patricia A. Banks traverses the New York and Atlanta art worlds to uncover how black identities are cultivated through black art patronage. Drawing on over 100

The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture create

“[A] compelling ethnographic account of middle class Blacks in New York City. . . . A major contribution to race, consumption, class, and urban studies.” �