Since television in the UK began, advertisements have come to be acceptable to the viewer and to be considered, by some, as a bastion of "Britishness" in a worl

This book presents a compelling case for a paradigmatic shift in the analysis of television drama production that recentres questions of power, control and sust

Making substantial use of new and underexplored archive resources that provide a wealth of information and insight on the period in question, this book offers a