Cuban Cinema

Cuban Cinema
Author :
Publisher : U of Minnesota Press
Total Pages : 564
Release :
ISBN-10 : 0816634246
ISBN-13 : 9780816634248
Rating : 4/5 (46 Downloads)

Book Synopsis Cuban Cinema by : Michael Chanan

Download or read book Cuban Cinema written by Michael Chanan and published by U of Minnesota Press. This book was released on 2004 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: New chapters express ongoing concerns about freedom of expression, the role of the Havana Film Festival in restoring Havana's central position in Latin American cinema, & the changing audience for Cuban films.


Cuban Cinema Related Books

Cuban Cinema
Language: en
Pages: 564
Authors: Michael Chanan
Categories: Performing Arts
Type: BOOK - Published: 2004 - Publisher: U of Minnesota Press

DOWNLOAD EBOOK

New chapters express ongoing concerns about freedom of expression, the role of the Havana Film Festival in restoring Havana's central position in Latin American
A Cuban Cinema Companion
Language: en
Pages: 411
Authors: Salvador Jiménez Murguía
Categories: Performing Arts
Type: BOOK - Published: 2020-01-15 - Publisher: Rowman & Littlefield

DOWNLOAD EBOOK

With the recent shift in Cuba-US relations stemming from the relaxing of travel restrictions and an influx of American visitors, interest in Cuba and its cultur
Hollywood in Havana
Language: en
Pages: 310
Authors: Megan Feeney
Categories: History
Type: BOOK - Published: 2019-01-04 - Publisher: University of Chicago Press

DOWNLOAD EBOOK

From the turn of the twentieth century through the late 1950s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, John
The Cuban Image
Language: en
Pages: 328
Authors: Michael Chanan
Categories: Performing Arts
Type: BOOK - Published: 1985 - Publisher: BFI Publishing

DOWNLOAD EBOOK

Screening Cuba
Language: en
Pages: 250
Authors: Hector Amaya
Categories: History
Type: BOOK - Published: 2010-09-09 - Publisher: University of Illinois Press

DOWNLOAD EBOOK

Hector Amaya advances into new territory in Latin American and U.S. cinema studies in this innovative analysis of the differing critical receptions of Cuban fil