Dictionary of African Filmmakers

Dictionary of African Filmmakers
Author :
Publisher : Indiana University Press
Total Pages : 418
Release :
ISBN-10 : 9780253351166
ISBN-13 : 0253351162
Rating : 4/5 (66 Downloads)

Book Synopsis Dictionary of African Filmmakers by : Roy Armes

Download or read book Dictionary of African Filmmakers written by Roy Armes and published by Indiana University Press. This book was released on 2008-07-11 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chiefly short biographies and filmographies.


Dictionary of African Filmmakers Related Books

Dictionary of African Filmmakers
Language: en
Pages: 418
Authors: Roy Armes
Categories: History
Type: BOOK - Published: 2008-07-11 - Publisher: Indiana University Press

DOWNLOAD EBOOK

Chiefly short biographies and filmographies.
Historical Dictionary of African American Cinema
Language: en
Pages: 568
Authors: S. Torriano Berry
Categories: Performing Arts
Type: BOOK - Published: 2015-05-07 - Publisher: Rowman & Littlefield

DOWNLOAD EBOOK

As early as 1909, African Americans were utilizing the new medium of cinema to catalogue the world around them, using the film camera as a device to capture the
Arab Filmmakers of the Middle East
Language: en
Pages: 216
Authors: Roy Armes
Categories: Performing Arts
Type: BOOK - Published: 2010-08-23 - Publisher: Indiana University Press

DOWNLOAD EBOOK

In this landmark dictionary, Roy Armes details the scope and diversity of filmmaking across the Arab Middle East. Listing more than 550 feature films by more th
Postcolonial Images
Language: en
Pages: 314
Authors: Roy Armes
Categories: Performing Arts
Type: BOOK - Published: 2005-02-23 - Publisher: Indiana University Press

DOWNLOAD EBOOK

A comprehensive introduction to North African film.
Viewing African Cinema in the Twenty-first Century
Language: en
Pages: 257
Authors: Mahir Şaul
Categories: Performing Arts
Type: BOOK - Published: 2010-10-05 - Publisher: Ohio University Press

DOWNLOAD EBOOK

African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the Fren