The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond.

A re-evaluation of the Latin-texted motet during the age of Du Fay.

The first large-scale study of how fifteenth-century motets were used across Western Europe, dispelling the mysteries surrounding these outstanding works.

In this collection, musicologists provide a picture of the motet's "music-poetic" nature, looking at the interplay of music and text that distinguished the genr

Mapping the Motet in the Post-Tridentine Era provides new dimensions to the discussion of the immense corpus of polyphonic motets produced and performed in the