Max Loehr (1903-1988), the most distinguished historian of Chinese art of his generation, is celebrated above all for a 1953 art historical study of Chinese bro

Elkins argues that writing is what art historians produce, and, whether such writing is a transparent vehicle for the transmission of facts or an embattled foru

The bronze ritual vessel, the defining artifact of early Chinese civilization, is the subject of this monumental study of Shang ritual bronzes in the Arthur M.