This book chronicles the creative period of the 1950s and 1960s, a high point in American art. In his collaborations with Merce Cunningham and John Cage, and as

"This is the first publication to consider art to wear, also known as wearable art, as a discrete American movement with roots and intersections in fine arts, f

A scholar and bride-to-be spends a year without mirrors to get a better view of what really matters When Kjerstin Gruys became engaged, she was thrilled—until