The Gordion Wooden Objects, Volume 1 The Furniture from Tumulus MM (2-vol. set)
Author | : Elizabeth Simpson |
Publisher | : BRILL |
Total Pages | : 602 |
Release | : 2010-12-15 |
ISBN-10 | : 9789047442868 |
ISBN-13 | : 9047442865 |
Rating | : 4/5 (68 Downloads) |
Download or read book The Gordion Wooden Objects, Volume 1 The Furniture from Tumulus MM (2-vol. set) written by Elizabeth Simpson and published by BRILL. This book was released on 2010-12-15 with total page 602 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Furniture from Tumulus MM, The Gordion Wooden Objects, volume 1, is a study of the furniture from the largest tomb at Gordion, Turkey, excavated in 1957 by the University of Pennsylvania Museum. The tomb dates to the eighth century BC and is thought to be the burial of the great Phrygian king Midas or his father. The objects, initially misunderstood, are now identified as nine tables, two serving stands, two stools, a chair, and an open log coffin. Three pieces are ornately carved and inlaid with religious symbols and complex geometric motifs. The wooden objects from Gordion are now recognized as the most important collection of well preserved wooden artifacts excavated from the Near East. Included in this volume are new photographs, reconstruction drawings, and eight scientific/technical appendices. Contributors include: Harry Alden, Burhan Aytuğ, Mary W. Ballard, Robert A. Blanchette, Roland Cunningham, Laure Dussubieux, Patrick E. McGovern, Benjamin Held, Walter Hopwood, Joseph Koles, Lynn E. Roller, Krysia Spirydowicz. "...this work goes well beyond a typical site-specific object catalogue and makes important contributions to a wide range of scholarly fields, both technical and conceptual, from textile and wood analysis to anthropological and religious studies." Elizabeth P. Baughan, University of Richmond “The book succeeds in its main aims of making available every scrap of information about the finds, and it illuminates form, techniques, and function in a most convincing and stimulating manner.” Catherine M. Draycott, Courtauld Institute of Art