The Nightwatches of Bonaventura

The Nightwatches of Bonaventura
Author :
Publisher : University of Chicago Press
Total Pages : 207
Release :
ISBN-10 : 9780226141565
ISBN-13 : 022614156X
Rating : 4/5 (65 Downloads)

Book Synopsis The Nightwatches of Bonaventura by : Gerald Bonaventura

Download or read book The Nightwatches of Bonaventura written by Gerald Bonaventura and published by University of Chicago Press. This book was released on 2014-10-24 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a strange, darkly ironic novel published under the nom de plume of Bonaventura, originally in German, in 1804. It is a true child of the romantic agony: the narrator and anti-hero, a night watchman named Kreuzgang, was once a poet. Now stripped of all Romantic illusion, he works as a watchman, which gives him a vantage on the follies of other citizens. To Kreuzgang, life is a grotesque, macabre and sordid joke sprung by a mechanical and heartless force. A cult classic in some literary circles (Gothic lit fans and specialists in German Romanticism), the book is uncannily cinematic: Every night, Kreuzgang goes on his rounds and stops to peer into a window or door where he observes a framed scene of murder, despair, theft, romance, or some other private moment. He is cynical and pessimistic and comic in a way that seems current, turning the culture of Romanticism inside out. The writing is, quite simply, brilliant. Ever since Die Nachtwachen was first published fans have speculated on who could have written it. The belief today is that the author was probably the theater director August Klingemann, who, as translator Gerald Gillespie explains, idolized Shakespeare and first staged Goethe s Faust. Certainly Klingemann would have understood the power and artifice of the framed scene. In 1972, Gerald Gillespie published a translation in the Edinburgh Bilingual Series, which was released in the States by the University of Texas Press. Our edition includes the English version only, with a new, less pedantic introduction by Gillespie and a brief afterword."


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