This is the first critical examination of Pablo Picasso's use of religious imagery and the religious import of many of his works with secular subject matter. Th

Religious subject matter is not central in 20th century art. One might therefore suspect that, for the avantgarde, the Spanish Civil War (1936-1939) would have

Modernism and Authority presents a provocative new take on the early paintings of Pablo Picasso and the writings of Guillaume Apollinaire. Charles Palermo argue

Two images of Andy Warhol exist in the popular press: the Pope of Pop of the Sixties, and the partying, fright-wigged Andy of the Seventies. In the two years be