In this book, Ivo Blom offers unique insights into the visual vocabulary of Italian filmmaker Luchino Visconti (1906-76), whose cinematic masterpieces include c

Since the beginning, much of Italian cinema has been sustained by transforming literature into moving images. This tradition of literary adaptation continues to

Every house has a story to tell. Laura Horton doesn’t know if the rumours about Leon Murphy are true, but she keeps her distance anyway. It’s hard enough be

The first thorough study of the Italian filmmaker, Luchino Visconti.

Through an analysis of the works of Italian filmmaker Luchino Visconti, García Düttmann explores the insight that it is never the real but always the possible