This book examines Franco-Asian film and literary productions in the context of France's colonial history. Includes analysis of such key film texts as Indochine

Few figures from history evoke such vivid Orientalist associations as Marco Polo, the Venetian merchant, explorer, and writer whose accounts of the "Far East" s

Maghrebi literature published in the first half of the twentieth century is a subject that seldom receives focused scholarly treatment. This is partly due to li