The Black Arts Enterprise and the Production of African American Poetry

The Black Arts Enterprise and the Production of African American Poetry
Author :
Publisher : University of Michigan Press
Total Pages : 199
Release :
ISBN-10 : 9780472120055
ISBN-13 : 0472120050
Rating : 4/5 (55 Downloads)

Book Synopsis The Black Arts Enterprise and the Production of African American Poetry by : Howard Rambsy

Download or read book The Black Arts Enterprise and the Production of African American Poetry written by Howard Rambsy and published by University of Michigan Press. This book was released on 2013-08-29 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: The outpouring of creative expression known as the Black Arts Movement of the 1960s and 1970s spawned a burgeoning number of black-owned cultural outlets, including publishing houses, performance spaces, and galleries. Central to the movement were its poets, who in concert with editors, visual artists, critics, and fellow writers published a wide range of black verse and advanced new theories and critical approaches for understanding African American literary art. The Black Arts Enterprise and the Production of African American Poetry offers a close examination of the literary culture in which BAM's poets (including Amiri Baraka, Nikki Giovanni, Sonia Sanchez, Larry Neal, Haki Madhubuti, Carolyn Rodgers, and others) operated and of the small presses and literary anthologies that first published the movement's authors. The book also describes the role of the Black Arts Movement in reintroducing readers to poets such as Langston Hughes, Robert Hayden, Margaret Walker, and Phillis Wheatley. Focusing on the material production of Black Arts poetry, the book combines genetic criticism with cultural history to shed new light on the period, its publishing culture, and the writing and editing practices of its participants. Howard Rambsy II demonstrates how significant circulation and format of black poetic texts—not simply their content—were to the formation of an artistic movement. The book goes on to examine other significant influences on the formation of Black Arts discourse, including such factors as an emerging nationalist ideology and figures such as John Coltrane and Malcolm X.


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