From 1902 to 1912, William Carlos Williams wrote more than 300 letters to his younger brother Edgar, an architect with whom he shared the desire to become 'a gr

William Carlos Williams first spoke to the issue of form shortly after the publication of “The Wanderer” in 1914—his move to vers libre—and didn’t sto

The poet as an inheritor of an Emersonian tradition, and Paterson as an ethical autobiography in progress.

A remarkable collection of 42 poets connected with the Rutherford, NJ poetry revival gives voice to memorable poetry and essays in the third edition of The Ruth

Modernism in the Green traces a trans-Atlantic modernist fascination with the creation, use, and representation of the modern green. From the verdant public com