The Oxford Companion to Australian Music

The Oxford Companion to Australian Music
Author :
Publisher : Melbourne : Oxford University Press
Total Pages : 696
Release :
ISBN-10 : UOM:39015046478940
ISBN-13 :
Rating : 4/5 (40 Downloads)

Book Synopsis The Oxford Companion to Australian Music by : Warren Arthur Bebbington

Download or read book The Oxford Companion to Australian Music written by Warren Arthur Bebbington and published by Melbourne : Oxford University Press. This book was released on 1997 with total page 696 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Companion to Australian Music is a reference work that will be of interest to music lovers as well as of use to musicians, scholars and students. To date no volume has combined an account of Australia's music with biographical information about its musicians, a critical guide totheir works, publishers and recordings, and a guide to the burgeoning literature in the field. With more than 2,000 entries, the Companion ranges across a wide spectrum, from ancient Aboriginal traditions and European-derived orchestral, operatic and concert music, to Australian folk jazz, country, popular, rock, electronic and experimental music. It covers the music not only of mainstreamaudiences but also of Australia's religious denominations and recent migrant communities. Special attention is given to the distinctive features of Australian musical life: its reliance on government support rather than private or ecclesiastical patronage, its unquenchable appetite for eisteddfods,choral societies and bands; the shadow cast by European traditions; the vicissitudes of its attitudes towards composers; the late development of music criticism and scholarship; and the role of regional cities and towns. There are numerous entries on Aboriginal subjects and on key musical organizations and considerable space is given to a series of longer entries covering musical works, institutions, genres, instruments, terms, and many of the historical contexts of Australian music. These key essays offer anauthoritative framework for a better understanding of the shape and originality of music-making in Australia.


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